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Original fileHope — from The Seven Virtues
Jacob Matham (after Hendrick Goltzius)
About This Work
This engraving features a woman gazing heavenward, signifying the spiritual orientation of Hope, while her hands rest upon a large anchor, the classic attribute symbolizing stability and endurance through life's storms. The figure is nestled within a rocky, shaded grotto that opens to reveal a tranquil seascape with a distant ship, contrasting the interior stillness with the potential turbulence of the outside world. The print is characterized by high-contrast shading and rhythmic, precise linework typical of the late Renaissance period in the Netherlands.
Hope (Spes) is a foundational virtue in both classical ethics and Christian theology, often paired with Faith and Charity as one of the three theological virtues. This print reflects the humanist endeavor to synthesize classical allegory with moral philosophy, a practice central to the intellectual culture of the late 16th-century Northern Renaissance.
Inscriptions(Latin)
2 Mærentes recreo, vitę ne tedeat egre, Adverse prębens solatia dulcia fortis.
Translation
I revive the sorrowing, so that they may not weary of a wretched life, Offering sweet consolations to the brave in adversity.
Connected Texts
Thomas Aquinas
Aquinas categorizes Hope as one of the three theological virtues, which are standardly depicted in moral allegory series such as this.
Collections
Provenance & Source
Object
Engraving on paper
allegory
Digital Source
Unknown · Public domain
Linked Data
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