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Wikimedia Commons · CC BY-SA 2.0 · Hover to magnify, click for fullscreen
Original fileThe sculpture is carved from beige sandstone, featuring high-relief figures characteristic of Chandela dynasty architecture. In the center, a man and woman are joined in coitus; the woman is lifted by the man, her legs wrapped around his waist, while they embrace and kiss. To the left, a bearded male figure stands upright, holding a long-handled club resting on his shoulder, while a smaller female figure kneels at his feet looking upward. To the right, another woman stands in a graceful, slightly arched pose with her arm resting near her thigh. The figures are adorned with subtle jewelry and display idealized, rounded physical forms; above the scene, a decorative frieze contains a horizontal row of smaller carved figures.
This image belongs to the 'mithuna' (erotic couple) tradition found on the exterior walls of Hindu temples in Khajuraho, often interpreted as manifestations of cosmic union, the play of maya, or ritualized representations of tantric practices. The inclusion of these sculptures is historically associated with the Chandela dynasty (c. 950–1050 CE) and the theological blending of Śaivism and Vaishnavism where physical pleasure (kama) is acknowledged as a legitimate human aim within the context of dharma.
Kamasutra of Vatsyayana
The relief illustrates the erotic postures and social dynamics of human intimacy discussed in classical Sanskrit literature.
Object
Engraving
sculpture
Digital Source
Wikimedia Commons · CC BY-SA 2.0
https://www.flickr.com/photos/archer10/2214450463
Creative Commons Attribution-Share Alike 2.0
960 × 1280 px
8f1e368468b4229b8b5347849d1441ade26a7053
October 22, 2011
April 17, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 18, 2026. Getty identifiers are AI-inferred and may require verification.