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Original fileLucretia sits at the center of a domestic interior, focused on her work with a distaff while surrounded by three servants engaged in spinning and carding wool. To the left, through an arched doorway, a group of armed men is seen approaching the house. The image captures the moment from Roman history when Lucretia is discovered to be the most virtuous of wives because she is found working late into the night.
Lucretia serves as a primary exemplar of the virtue of 'pudicitia' (chastity and modesty) within the Neostoic and moral-philosophical traditions of the Renaissance. Her story was used by humanist thinkers to discuss the relationship between private virtue and the political health of the state, as her subsequent tragedy led to the founding of the Roman Republic.
Inde' cito passu petitur Lucretia cuius Ante' thorum calathi, lanaq: mollis erat. Lumen ad exiguum famulae data pensa trahebant. Quae' gremio lachrimas deposuere suo. Pone' metum venio coniunx ait, illa revixit, Atq: pudicitiae praemia digna tulit. Philippus Galle excude
Translation
Thence with quick step Lucretia is sought, before Whose bed were the baskets and soft wool. By a tiny light the handmaids were spinning their allotted tasks, And let fall their tears into their laps. "Lay aside fear, I am come," the husband says; she revived, And bore away the worthy rewards of her chastity. Philipp Galle engraved it
Ovid
The Latin verses at the bottom of the print are taken from Book II of Ovid's Fasti, which recounts the story of Lucretia's industry and virtue.
Livy
Livy's 'Ab Urbe Condita' is the primary historical source for the narrative of Lucretia and the fall of the Roman monarchy depicted here.
Object
Rijksmuseum, Amsterdam
paper
height 209 mm x width 249 mm
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.