This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileDiana sits on the right, pointing accusingly toward Callisto, who is being stripped by several nymphs to reveal her pregnant belly. The figures are rendered with the muscular, elongated proportions typical of the late 16th century, set within a craggy, shaded landscape. Hunting dogs and discarded garments in the foreground emphasize the sudden interruption of the group's ritual cleansing.
As part of Hendrick Goltzius's celebrated series on Ovid's Metamorphoses, this work reflects the Renaissance obsession with classical mythology as a repository of moral and philosophical allegories. Goltzius was a central figure in the Haarlem Mannerist circle, which blended technical virtuosity with the intellectual and Neoplatonic culture of the late 16th-century Netherlands.
Fronde sub umbrosa posito velamine Nymphis Cum nudis sese nuda Diana lauat. Nonacrina moras stupri sibi conscia querit, Sublato a Nymphis tegmine culpa patet 7
Translation
With veil laid down beneath the shady foliage, Naked Diana bathes herself with naked Nymphs. The Nonacrian, conscious of her disgrace, seeks delay, But with the covering removed by the Nymphs, her fault is laid bare.
Ovid
The scene is a literal illustration of Book II of Ovid's Metamorphoses, the primary source for mythological imagery in the Renaissance.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31890200-O3.jpg Gallery: http://collections.lacma.org/node/247435 archive copy at the Wayback Machine
Public domain
2100 × 1468 px
2be9e4a95c58f5a99e2549e0cb52391d27f9faef
July 19, 2013
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.