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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Bacchus stands crowned with grapevines beside a large wine barrel, raising a glass toward a bearded man dressed in a formal sixteenth-century ruff and cloak. In the foreground, a woman kneels over a basket overflowing with apples and pears, while cattle and laborers are visible in the distant landscape. The composition focuses on the transition from the labor of the field to the preservation and enjoyment of the harvest.
This engraving belongs to a series on the Four Seasons, reflecting the Renaissance preoccupation with the cyclical nature of time and the correspondence between the cosmos and human activity. It illustrates the natural philosophical concept of the 'Great Chain of Being,' where the seasonal bounty provides for human sustenance through divine providence and diligent labor.
3. En ego maturos Autumnus profero fructus, Efficioq[ue] mei ne sit spes vana coloni.
Translation
3. Lo, I, Autumn, bring forth the ripened fruits, And ensure that the hope of my husbandman be not in vain.
Virgil, Georgics
The inscription and imagery reflect the Roman tradition of agricultural poetry, which taught the moral and philosophical value of living in accordance with the seasons.
Marsilio Ficino
The series relates to Ficino's Neoplatonic focus on the influence of the seasons and planetary cycles on human health and the spiritus.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/9e41506d-2e27-a0b1-ea8b-d6d69e7fc683
Public domain
2506 × 3411 px
a1355f9da5d73e59fb14d3c93b91d2d0001e953b
April 19, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.