This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileTwo women greet one another with a handshake and embrace, their bodies draped in heavy, intricately folded cloth. An older man stands in the background to the right, and a small dog sits in the lower right corner watching the meeting. The scene is set within a complex perspective of classical arches and stone buildings.
As part of the 'Life of the Virgin' series, this work showcases Goltzius's 'protean' ability to transform his style to mimic other masters, a concept of artistic shape-shifting that was highly prized in the intellectual and Hermetic circles of Haarlem. Goltzius was a member of the 'Family of Love' (Hiël), a mystical sect that emphasized internal spiritual transformation.
Plena Deo virgo, caelesti Pneumate fata, Cognatam Helisaben montana per aspera visit: Exultat sterilis fecunda, exultat et infans Iam tunc in gravida agnitus ventre Prophetes 1593 HG
Translation
Full of God, the maiden, inspired by the celestial Spirit, Visits her kinswoman Elizabeth through the rugged mountains: The barren one, now fruitful, exults, and the infant exults too, Already then recognized as Prophet in the pregnant womb. 1593 HG
Karel van Mander
Van Mander's Schilder-boeck describes Goltzius as a 'Proteus' of art, capable of alchemically shifting his style to match any master.
Object
Engraving
religious
Digital Source
Wikimedia Commons · CC BY-SA 4.0
Own work
Creative Commons Attribution-Share Alike 4.0
1283 × 1759 px
87f2758426a69107efab9fa56b47cebaa370070d
August 25, 2023
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.