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Original fileIn the background, executioners strain to raise an inverted cross to which Saint Peter is nailed, surrounded by a crowd of Roman soldiers and spectators. The right foreground features a large-scale depiction of Peter as the first Pope, holding the keys to heaven and a heavy book. The setting is a classical Roman plaza featuring a triumphal column and a domed building resembling the Pantheon.
As an early work by Hendrick Goltzius, this print exemplifies the transition toward the high-precision engraving style that would define the Haarlem Mannerists. While primarily a religious work of the Counter-Reformation, it showcases the technical virtuosity and anatomical focus that later made Goltzius a central figure for esoteric and natural-philosophical illustrators.
S. Petrus. Aux. 4 vents M. de vos . inue. Petrus Apostolici cetus Antistes, et urbis Romane summus Presul, dum nuntiat orbem 1. Seruatum effuso Soteris sanguine Christi, Martyrium subijt dirum, cruce fixus amara.
Translation
S. Peter. Aux 4 vents (At the 4 winds) M. de vos . invenit. Peter, high priest of the Apostolic band, and supreme Prelate of the Roman city, while he announced that the world was saved by the shed blood of the Savior Christ, underwent a dire martyrdom, fixed to a bitter cross.
Hendrick Goltzius
The engraver of this work, who later became a key figure in the visual representation of alchemical and Hermetic concepts in Haarlem.
Marten de Vos
The designer of the original composition upon which this engraving is based.
Object
Rijksmuseum, Amsterdam
paper
height 210 mm x width 284 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.