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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
An elderly, gaunt woman stands in a rugged landscape, desperately holding a large metal pitcher and multiple sacks of coins to her chest. She is dressed in heavy, layered garments with additional coin purses tied to her waist, and a toad—a traditional symbol of earthly greed and filth—crawls on the ground near her feet. The engraving features the exaggerated musculature and dynamic drapery characteristic of the Dutch Mannerist style.
As part of a series on the Seven Deadly Sins, this work reflects the moral philosophy of the late 16th century, particularly the Neo-Stoic focus on controlling passions and the vanity of material wealth. The Latin inscription echoes the classical paradox of the miser who remains spiritually poor despite vast physical riches, a theme central to the ethical teachings of thinkers like Seneca.
Perdita Avarities, corrasis obruta, vivo Magnas inter opes (heu mihi) semper inops . 6
Translation
Lost Avarice, buried in hoarded wealth, I live Amidst great riches (woe is me) always destitute.
Cesare Ripa
Ripa’s Iconologia codified the visual attributes of Avarice, such as the lean figure and the hoarding of vessels, which are present in this earlier work.
Seneca
The inscription 'always needy amidst great wealth' is a direct expression of Stoic critiques of wealth found in Seneca's Moral Letters.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/08d5961d-0bbf-7f23-0ac2-09013848f087
Public domain
2501 × 3759 px
83c4b647985fd2117673fe4ff7ca4d4daa80caf0
April 24, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.