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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
The figure stands in an elaborate, high-collared gown and jewelry, gazing intently into a hand mirror to represent vanity. She holds a scepter-like fan made of peacock feathers, while a live peacock—a traditional symbol of pride—stands at her feet against a distant landscape with a castle. The engraving uses the dramatic, elongated proportions and intricate linework characteristic of late 16th-century Dutch art.
This work belongs to a series on the Seven Deadly Sins, reflecting the Northern Renaissance focus on moral philosophy and the psychological states that hinder spiritual progress. In the esoteric and Neoplatonic traditions of the time, Pride was viewed as the ultimate 'ego' trap that prevented the soul from achieving true self-knowledge and divine union.
Exerata Deo hominiqúe Superbia, nulli Heu placeo, placeo dum nimis ipsa mihi . HGoltzius inue. et excu.
Translation
Exiled from God and man, to none, Alas, do I please, while I please myself too much. H. Goltzius invenit et excudit.
Cesare Ripa
Ripa's Iconologia codified the mirror and the peacock as the standard iconographic attributes for the personification of Pride (Superbia).
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/82f57fd6-0d7f-21d4-ad3d-9f5543fc5808
Public domain
2480 × 3607 px
f4243bc549c992b0ec2d8282d17412911e7047c1
April 23, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.