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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A woman representing the vice of Lust strides through a landscape, holding a small bird on her outstretched hand and a flowering branch in the other. A horned goat, a traditional symbol of carnal desire and lechery, walks at her side while she wears jewelry and bared robes. The image uses the dynamic, muscular style of the Haarlem Mannerists to emphasize the physical presence of the figure.
This work reflects the Renaissance moralizing tradition that utilized classical and mythological imagery to illustrate Christian concepts of vice and virtue. It relates to the Neoplatonic distinction between 'Sacred' and 'Profane' love, where carnal libido is seen as a force that perverts the higher faculties of faith and law.
3 Omnia peruertit Veneris vaesana Libido, Jura, fidem, patriam, Seq; suosq; Deos.
Translation
3 The mad lust of Venus subverts all things, Laws, faith, country, oneself, and one’s own gods.
Cesare Ripa
Ripa's 'Iconologia' codified the goat and the sparrow as standard iconographic attributes for the personification of Lust.
Marsilio Ficino
Ficino's Neoplatonic commentaries, such as 'De Amore', discuss the lower carnal love (Amor Vulgaris) represented by such allegories.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/35f8aefb-8b0a-5a3a-f30e-ab752321b70d
Public domain
2485 × 3659 px
4807e8c1d2ef5566422b9e8d82e2cd9c3a206f01
April 18, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.