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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA vast, multi-plate engraving depicting a crowded celestial banquet populated by highly muscular, stylized deities in dynamic poses. In the center, Cupid and Psyche embrace while being crowned, surrounded by figures like Mercury with his caduceus, a seated Hercules with a club, and Apollo playing a pipe organ. Below the heavenly scene, a panoramic landscape is visible, contrasting the terrestrial world with the divine celebration above.
This work is a primary example of Neoplatonic allegory in Renaissance art, explicitly identifying the marriage of Cupid and Psyche as the union of Divine Love and the human Soul (Anima). The Latin inscriptions interpret Psyche's trials and eventual apotheosis as the soul's journey toward spiritual perfection and reunion with the divine.
ILL.RI ET GEN. D: D. VVLOFGANGO RVMPF LIBERO BARONI A WIELROS ET WEITTRACH &c. &c. Sac: Caes: Maiest: a Consilijs intimis et supremo cubiculo. B. Spranger Inve: et Hubertus Goltz: sc. & divulgante commu dant suam hanc qualemcuq operam D.D. [Verse column 7]: Psyche haec, illa Anima est diuino equata decori, Quam male suada Venus (meliori cupidine Sponso) Quamq[ue] ferox Mens illa provat, que nupsit Auerno Angelico exturbata choro, et soror altera Carnis [Bottom right]: BARTO:VS SPRANGERS ANT:VS INVEN. ANNO 1587. HGoltzius sculp. et excud.
Translation
To the Illustrious and Noble Lord, Lord Wolfgang Rumpf, Baron of Wielros and Weittrach, etc. etc., Privy Councillor and Lord Chamberlain of His Sacred Imperial Majesty. B. Spranger having designed [it] and Hubert Goltzius having engraved and published [it], they dedicate and present this work of theirs, such as it is. This Psyche is that Soul made equal to divine beauty, Which Venus ill-persuades (to a better lover, the Bridegroom), And which that fierce Mind tests, which wedded to Avernus, Driven out from the angelic choir, and the other sister of the Flesh. Bartholomäus Spranger of Antwerp invented in the year 1587. H. Goltzius engraved and published.
Apuleius
The narrative source for the myth of Cupid and Psyche is found in Apuleius's 'The Golden Ass'.
Marsilio Ficino
Ficino's Neoplatonic commentaries on love provided the intellectual framework for interpreting Psyche as the human soul.
Object
Metropolitan Museum of Art, New York, NY
Engraving printed from three plates; second state
16 15/16 x 33 5/8in. (43 x 85.4cm)
mythological
Digital Source
The Metropolitan Museum of Art · CC0 1.0
3840 × 1972 px
April 1, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.