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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileBeached whale near Beverwijk, 1602
This elaborate engraving documents the stranding of a whale in 1602, shown with remarkable anatomical detail as men use ropes and poles to measure its dimensions. The scene is framed by an ornate architectural cartouche featuring allegorical figures of Time and Fame, alongside vignettes of an earthquake and a lunar eclipse. The presence of elegantly dressed citizens alongside laborers highlights the event as both a scientific curiosity and a significant social spectacle.
In the early modern period, such 'monsters of the deep' were viewed as 'prodigia' or divine omens within the tradition of natural philosophy. The inclusion of celestial and terrestrial disturbances (eclipse and earthquake) connects the event to the Hermetic and Neoplatonic concept of macrocosm-microcosm sympathies, where natural anomalies were interpreted as portents of political upheaval during the Eighty Years' War.
Illustri generoso Domino Comiti de Nassau etc. Fortissimo Heroi, et Belgicae libertatis vindiu acerrimo Dno, Clementissimo hoc nostrarum regionu monstrum et hoc tabulo D.D.D. J Saenredam Terrae motus Eclipsis Lunae Fama Assiduus infectum, glomerans turbine, caetum Territo pateulo rictu genus omne natantum, Et vada terrentem, cauda, fluctuque frementem, Obcluusum huic Bauaricum ad littora venit; Illing vnde jacet, aggere cingit arenae; Qui simul ac fatali ſolum, Syrtisq; vadiſque Negat ſua ſperatrs refugio ad freta perfida niſus Alta petens, laeuoq; fignat molimine caudam. Amstelodami Joannes Jansonius excudit A. 1618.
Translation
To the illustrious and noble Lord, Count of Nassau, etc. To a most valiant Hero, and most fierce defender of Belgian liberty, To our most clement Lord, this prodigy of our regions and this picture is dedicated, donated, and presented by J. Saenredam. Earthquake Eclipse of the Moon Rumor Constant in its pollution, gathering in a whirlwind, the school Terrified with gaping maw all the race of swimmers, And frightening the shallows, roaring with its tail and the surge, Blocked against this, it came to the Bavarian shores; Thence from where it lies, it girds itself with a mound of sand; Which as soon as the fatal soil, and the quicksands and shallows, Deny it its hoped-for refuge, struggling toward the treacherous straits, Seeking the deep, and marking its tail with a clumsy effort. At Amsterdam, Joannes Jansonius published this in the year 1618.
Theodoor Schrevelius
Schrevelius composed the Latin verses at the bottom of the print, framing the whale's death as a moral and political warning.
Conrad Gessner
The print reflects the encyclopedic tradition of documenting 'monsters' found in Gessner's Historia Animalium, which combined zoology with emblem-like interpretation.
Object
Engraving
scientific
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/object/P_1846-0509-271
Public domain
8185 × 5799 px
6a8068c81a47b3b687cb694916621d0e0eb088c8
May 12, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.