Christus aan de maaltijd in het huis van Levi de Tollenaar (plaat 2)

Christ sits at the center of a long table, his head surrounded by a radiant halo as he interacts with guests dressed in a mix of contemporary and classical attire. The scene is framed by a massive stone archway decorated with reclining angels in the spandrels, leading the eye toward a distant, tiered tower or obelisk. In the foreground, dogs sit on a patterned tile floor, adding a naturalistic element to the grand architectural setting.

This work is a prime example of Haarlem Mannerism, reflecting the movement's interest in monumental classicism and the integration of sacred narratives into complex, stage-like environments. The depiction of Christ associating with social outcasts aligns with the Northern Humanist emphasis on inner piety and universal grace over rigid religious hierarchy.