This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA man and woman in elaborate dress are depicted in a close embrace, with the man inhaling the fragrance of a rose. A basket of various flowers sits on the woman's lap while a long-haired dog, a traditional symbol of olfactory acuity, rests in the foreground. The composition is characterized by the muscular forms and intricate drapery typical of late 16th-century Dutch engraving.
As part of a series on the Five Senses, this work reflects the Renaissance preoccupation with how the human soul perceives the material world through the body. The accompanying inscription provides a moralizing warning, suggesting that sensory pleasures can mask hidden bitterness, a common theme in Northern natural philosophy.
3. Quamvis floriferus sit gratus naribus hortus, Saepe tamen dulci fel sub odore latet.
Translation
3. Although a flower-bearing garden is pleasing to the nostrils, Yet often gall lies hidden beneath the sweet scent.
Aristotle
Aristotle's 'De Anima' provided the philosophical foundation for the classification and study of the Five Senses in the Renaissance.
Hendrick Goltzius
Saenredam was a primary engraver for Goltzius, and this series follows the iconographic patterns established by the Haarlem academy.
Object
Rijksmuseum, Amsterdam
blad: breedte 124 mm (binnen plaatrand afgesneden)
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.