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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA woman in 16th-century Dutch attire sleeps in a high-backed chair, while a couple rests in a curtained bed behind her. To the right, a cat sits before a hearth fire, and glass medical flasks rest on a shelf above. In the upper left corner, a framed view or window shows the winged figure of Night soaring over a darkened landscape, scattering the seeds of sleep.
This print reflects the Renaissance preoccupation with the cycles of time and their influence on the human body and soul. The presence of medical 'urinal' flasks and the domestic setting connects the celestial timing of the night to the physiological processes of rest and the humoral balance of the microcosm.
Nocte vacant curis animi, placidamq; quietem Percipiunt, gratoq; indulgent omnia Somno. 4. C. Schonæus HG. Inuent.
Translation
At night, minds are free from cares, and they perceive placid rest, and all things indulge in welcome Sleep. 4. C. Schonæus HG. Inuent.
Hendrick Goltzius
Saenredam engraved this work based on a design by Goltzius, whose circle in Haarlem was deeply engaged with Neoplatonic and Hermetic symbolism.
Cornelis Schonaeus
The Latin verse was written by this Christian humanist poet, often commissioned by the Haarlem engravers to add moral philosophical depth to their images.
Object
Rijksmuseum, Amsterdam
height 212 mm x width 150 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.