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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA man and a woman are seated in a close, intimate embrace; the man holds a piece of fruit to his lips while a tazza of wine and a cluster of grapes rest on a table nearby. In the background, a monkey mimics the human figures by eating, a common symbol for the base nature of the physical senses. The scene is rendered in the Haarlem Mannerist style, characterized by swelling musculature and intricate, rhythmic line-work.
This print is part of a series on the Five Senses, a theme central to Renaissance natural philosophy and Neoplatonism regarding the soul's interaction with the material world. It specifically warns against the dangers of gluttony and the surrendering of reason to physical appetite, echoing the moralizing tradition of the Low Countries.
Dulcia ſæpe nocent avido guſtata palato, Votaqʒ damnoſæ luxurioſa gulæ. 4. JS
Translation
Often, sweet things consumed by the greedy palate bring harm, And vows are made to the ruinous gluttony of the throat. 4. JS
Aristotle
Aristotle's 'De Anima' provided the foundational classification of the five senses used by Renaissance artists and philosophers.
Marsilio Ficino
In 'De Amore', Ficino discusses the hierarchy of the senses, distinguishing between the higher 'spiritual' senses (sight, hearing) and the lower 'material' senses (taste, touch, smell).
Hendrik Goltzius
Saenredam was a pupil of Goltzius and this series is closely modeled on the designs and stylistic innovations of the master.
Object
Rijksmuseum, Amsterdam
height 175 mm x width 124 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.