This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA woman in an elaborate lace ruff and decorative bodice plays a keyboard instrument, while a man looks on from behind holding a stringed instrument. In the shaded background to the left, a stag—a traditional symbol of acute hearing—is visible among the trees. The work is rendered with the dense, swelling lines and intricate textures characteristic of late 16th-century Dutch engraving.
This print is part of a series on the five senses, a common theme in Renaissance natural philosophy used to explore the relationship between the human soul and the material world. It carries a moralizing message, warning that while music is a reflection of celestial harmony, the physical senses can lead to spiritual distraction if not governed by reason.
2 Ne patulas blandis prebe Syrenibus aures; Que dulci cantus sepe lepore nocent.
Translation
2 Do not offer your open ears to the alluring Sirens; Who with their sweet charm of song often do harm.
Marsilio Ficino
In his Neoplatonic commentaries, Ficino identifies hearing as one of the two 'intellectual' senses (along with sight) capable of perceiving divine beauty, while also warning against purely sensual pleasure.
Object
Rijksmuseum, Amsterdam
blad: hoogte 175 mm x breedte 124 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.