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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis engraving shows a serene woman representing the virtue of Faith, characterized by her steady grasp on a large wooden cross and a sacramental chalice. Above her, two winged putti descend from clouds to crown her with a wreath of flowers. The composition emphasizes elegant, elongated proportions and detailed drapery, reflecting the stylistic trends of Dutch Mannerism.
The imagery of Faith as a personification holding the cross and chalice reflects the standard iconographic synthesis of theological virtues prevalent in Northern humanist and religious discourse of the late 16th century. It serves as a visual bridge between classical allegorical traditions and the confessional identity of the period.
Cum priuil. Sa. Ca. M. HGoltzius Inue. I Saenredam Sculp. A° 1601. Non me durarum terrent discrimina rerum, Firmaq. diuersos tolero fiducia casus. C. Schrijue.
Translation
With privilege of His Sacred Imperial Majesty. H. Goltzius invenit [designed by H. Goltzius], I. Saenredam sculpsit [engraved by I. Saenredam], 1601. The dangers of hard things do not terrify me, And with firm faith, I endure diverse misfortunes. C. Schrijver.
Cesare Ripa
The iconography follows the standardized allegorical descriptions found in Ripa's 'Iconologia', which heavily influenced the representation of virtues in the early modern period.
Object
Engraving on ivory laid paper
allegory
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 15, 2026. Getty identifiers are AI-inferred and may require verification.