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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileThe nude goddess Venus reclines upon a bank of clouds holding roses, while her son Cupid prepares to strike her with an arrow. Two billing doves, symbols of fidelity and Venus herself, rest nearby, while the central oval frame contains a miniature landscape at the bottom depicting the Judgment of Paris. The composition is framed by ornate corners featuring flaming hearts pierced by arrows and floral sprigs.
Venus serves as a central figure in Renaissance Neoplatonic thought, representing the force of Love (Amor) as the binding and animating principle of the universe. This engraving by Jan Saenredam, after a design by Hendrik Goltzius, exemplifies the Haarlem Mannerist approach to classical mythology as a vehicle for complex philosophical allegories regarding the senses and cosmic harmony.
Immenso nostrum spectatur numen in orbe, Et magnam passim vim meus ignis habet. Non Dij, non homines ulli mea spicula vitant, His volucres figo, squamigerumq[ue] genus. HG
Translation
My immense divinity is beheld throughout the world, And my fire possesses great power everywhere. Neither gods nor any men escape my arrows, With these I pierce the winged, and the scaly kind. HG
Marsilio Ficino
Ficino's Neoplatonic 'De Amore' redefined Venus and Cupid as symbols of the soul's ascent and the universal power of attraction.
Object
Rijksmuseum, Amsterdam
height 344 mm x width 257 mm
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.