This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileThe scene shows a mother handing a small bowl to two young children who are dressed for school with baskets in hand, while a father and older boy study books at a table behind them. In the background, two framed images on the wall depict the goddess Aurora in her chariot and a group of riders, signifying the start of the day. The composition captures the transition from rest to the industrious activity required by the daylight hours.
This print reflects the Mannerist preoccupation with the macrocosm-microcosm relationship, specifically how the movements of celestial bodies like the Sun (Phoebus) govern human behavior and social order. It exemplifies the Haarlem Mannerists' tendency to blend mundane genre scenes with mythological personifications to illustrate natural philosophical cycles of time.
1 HG. Inue. I. Saenredā sculp. Plena laboriferis curis pars prima diei est, Et nobis oritur cum sollicitudine Phoebus. C. Schoneus
Translation
1 HG. inv. J. Saenredam sculp. The first part of the day is full of laborious cares, And Phoebus rises for us with anxiety. C. Schoneus
Hendrick Goltzius
Goltzius was the designer (inventor) of this series, which uses the 'Times of Day' to explore the intersection of mythology and daily life.
Cornelis Schonaeus
The Neo-Latin poet Schonaeus composed the inscription, framing the scene within a philosophical context of labor and duty.
Object
Rijksmuseum, Amsterdam
blad: hoogte 210 mm (binnen plaatrand afgesneden) x breedte 149 mm (binnen plaatrand afgesneden)
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.