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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA woman sleeps in a high-backed chair in the foreground, her distaff and sewing materials resting in her lap. In the background, a woman tends to an elderly man in a canopied bed, while a cat sits near a small fire and an infant rests in a cradle. A small rectangular inset at the top left depicts Luna, the personification of the Moon, driving a chariot across the night sky above a sleeping town.
This print is the final plate in a series depicting the four times of day, a popular theme in Renaissance art that explored the relationship between celestial movements and human activity. It reflects the concept of the microcosm and macrocosm, where the physiological need for sleep is governed by the astronomical transit of the moon.
4 Nocte vacant curis animi, placidamq[ue] quietem Percipiunt, gratoq[ue] indulgent omnia somno. HG. Invent. C. Schonæus
Translation
4 At night, minds are free from cares, and they perceive placid rest, and all things indulge in welcome sleep. HG. Invent. C. Schonæus
Hendrik Goltzius
Goltzius designed the composition which was engraved by his pupil Jan Saenredam.
Cornelis Schonaeus
The Christian humanist poet who composed the Latin moralizing verses for this series of engravings.
Object
Rijksmuseum, Amsterdam
height 213 mm x width 152 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.