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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe drawing shows a muscular, long-haired male figure sitting on a stone ledge with his legs crossed. He holds a thin staff in his left hand and points toward his chest with his right, looking directly at the viewer with a subtle expression. The surrounding environment is a dense, rocky landscape with tangled foliage and distant mountains.
This work represents the Renaissance syncretism between Christian and pagan traditions, where the ascetic prophet St. John is visually conflated with the Greco-Roman god Bacchus. This fusion reflects Neoplatonic ideas regarding the 'divine madness' (furor divinus) shared by both the prophet and the mystic, a concept central to the circles of Marsilio Ficino.
Marsilio Ficino
Ficino’s Neoplatonic commentaries on divine frenzy provide the intellectual framework for Leonardo's syncretic depiction of the prophet as a Dionysian figure.
Corpus Hermeticum
The 'pointing finger' gesture is a recurring motif in Leonardo's work often associated with the transmission of hidden or divine knowledge (gnosis).
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"l/leonardo/07study2/4john1"
Public domain
10446 × 13522 px
880e5c5bf1ff8a4a302064df7dfa9940af6ab81a
November 7, 2008
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.