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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis engraving shows a woman gazing upward with a serene expression, her hands crossed over her chest. She rests upon an anchor, the traditional emblem of hope, while two small winged figures hover above her, holding a garland over her head. The composition emphasizes the figure's connection to the heavens through her upward gaze and the surrounding clouds.
Hope (Spes) is one of the three theological virtues (alongside Faith and Charity) which were foundational to Christian Neoplatonic ethics during the Renaissance, representing the soul's upward aspiration toward divine grace.
HGoltz invenit J. Saenredam sculpe. Confirme dubios, tristi solatia menti Praestans, ne quisquam rebus desperet in arctis.
Translation
H. Goltzius invented [it] J. Saenredam engraved [it]. Strengthening the doubtful, providing solace to the sad mind, So that no one may despair in straitened circumstances.
Cesare Ripa, Iconologia
Ripa's widely influential manual of symbols codified the depiction of Hope with an anchor as a standard iconographic convention in this period.
Object
Engraving on ivory laid paper
allegory
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 15, 2026. Getty identifiers are AI-inferred and may require verification.